6″ x 8″ oil on linen panel
As I set up to paint at nearby park, I was struck by the backlit reeds glowing in the morning sun. It was a crisp fall day and as I started and the location was all about serenity. Then a crew of seven year old pos Thanksgiving day-campers arrived. So … there was less of a calm vibe than I initially anticipated. Still … there was a magic in the laughter of the kids which made for a great day.
14″ x 11″ oil on linen panel
There are a few moments on early fall mornings when the first rays of the sun illuminate the lighthouse at Pigeon Point. The fog lifts and it just glows. As I painted this on location, I gave all my attention to that effect and to the way the glow carried as a reflection on the ocean’s surface. I deliberately kept the vegetation on the foreground bluff loose to ensure the distant glow was the star of the show.
Exhibited …
2024 – Coastal Arts League “Iconic California”
11″ x 14″ oil on linen panel
While painting on a glassy calm morning, I was attracted to the way the dark rowboat in the foreground interacted with the lighter muted colors of the assembled white fiberglass boats.
8″ x 10″ (sold)
This painting of Villa Montalvo’s Italianate garden captures the temple on an autumn morning. The orange quince in the foreground seemed to be lit from the inside. I enjoyed its loose structure as a contrast to the temple’s vertical columns.
9″ x 12″ oil on linen panel
What fun painting this plein air piece in the Harbour Village Marina in Kralendijk Bonaire. The unwashed ochre building are such a nice foil for the Caribbean blues.
8″ x 10″ oil on linen panel
I painted this on location at the Kralendijk Harbor on Bonaire. I had to work fast to try to catch the oranges and blush tones in the clouds at dawn. Once the sun rose just a bit above the clouds they dispersed.
8″ x 10″ (sold)
I painted this dive boat from the Harbour Village Resort on while I was vacationing in Bonaire. I really enjoyed the way the blues of the water played off of the orange tones of the cluster of hotel buildings in the background.
A gentleman and his family who was also visiting saw me as I was painting. This piece was their favorite from the my time in Bonaire. I have since varnished and framed “Harbour Queen” and sent it to its new home in the Netherlands. What a great memory for their family and for me.
8″ x 6″ (sold)
In this piece, I’m capturing a cypress as it clings to the absolute edge a cliff at Fitzgerald Marine Reserve. This is a magical area just north of Half Moon Bay with amazing coastal vistas, a moody cypress forest, tide-pools and a beach where seals hang out and pups are born.
I have long appreciated the La Playa Hotel in Carmel for its historic feel, beautiful gardens, swimming pool and ocean views. I love it even more now with three of my small paintings hanging in the entry salons.
My paintings “Standing Watch “ and “What Remains” are in the reception foyer. “Pocket Cove” hangs alongside an Alice Weil still life in the fireplace lobby area.
The paintings were acquired as part of a $15 million hotel wide renovation lead by the Post Company. The beautiful renovation respects the historic nature of the hotel and delivers an elegant calm. The project was recently profiled in New York Times’ T Magazine.
The property began as the stone home of painter Chris Jorgensen in Carmel’s early days becoming a hotel 101 years ago.
11/17/2023 – 3/9/2024
My painting “Coming and Going” will be part of the biennial juried exhibit referred to as the Greater Bay Area Open. A reception for the Show will take place on Thursday November 16 from 5-7 pm. The show will be up through Saturday March 9, 2024 at the New Museum Los Gatos (NUMU).
NUMU is located at 106 E. Main Street in Los Gatos. They are open Friday – Sunday from 10am – 4pm. (408) 354-2645. If you’re in the area, check out the show and consider stopping by Gallery 24 as well. I show my paintings at this lovely gallery which is also in downtown Los Gatos at 24 Santa Cruz Avenue.
